Fan Bingbing’s large-scale dew point is fragrant, and Fan Ye’s past Muse-level private photos are exposed

????Fan Bingbing large-scale dew point dress provokes controversy

????Hebei News Network News (Lingxi) Recently, actress Fan Bingbing appeared on the Oscar red carpet in an orange large-scale dress, elegant and sexy. Fan Bingbing’s large-scale dew point dress instantly killed all actresses and won the audience. Users have mixed reviews for Fan Bingbing’s first large-scale appearance at the Oscars. Some netizens support Fan Bingbing’s ability to live in any big scene, and some netizens find it difficult to accept Fan Bingbing’s large-scale appearance, especially the dew point dress does not conform to Fan Ye’s usual style.

Next section: Fan Bingbing’s past Muse-level private photos are exposed

Donnie Yen plays Qiao Feng, Guo Fucheng exposes new films, who will be the next Hong Kong film hit?


1905 movie network feature Those who had just bid farewell to Ye Wen and kung fu films turned their attention to the martial arts classics.

 

Recently, the official announcement, which was produced and starred by Donnie Yen, appeared at the Cannes Film Festival.

 

According to the report, Donnie Yen hopes to use the film to start with "the most powerful hero" Qiao Feng to establish a Chinese martial arts universe and export the Chinese martial arts spirit.



On the other hand, the crime films starring in the film also appeared in the Cannes Journal.

 

The movie will tell the thrilling story of a pair of fellow sufferers whose robbery plan is disrupted by ruthless gangsters, and the "temporary robbery" escalates again.



From recent years, to the recent success of breaking the billion yuan mark, Hong Kong films have frequently become popular in the market, demonstrating their vitality that cannot be ignored.

 

Major new films have been officially announced one after another, and new materials continue to be released. Who will become the next Hong Kong film hit?

 

Feelings and breakthroughs


"Flying Snow Shoots White Deer in the Sky, Smiling Book God Yibi < unk >" The martial arts rivers and lakes written by Mr. Jin Yong have influenced several generations, and "Eight Books of Heavenly Dragons" is a classic among classics. It has been remade into film and television works several times before.

 

Among them, the most popular "Qiao Feng" is the 1997 version and the 2003 version. After that, the two editions starring and starring both suffered word-of-mouth reversals, which shows the difficulty of film and television.


 

In contrast, Donnie Yen’s innovation this time is that he will "write a biography" for the male protagonist Qiao Feng alone, and claims to build a Chinese martial arts universe with "the most powerful hero" Qiao Feng as the core.

 

According to the report: "By telling the story of the protagonist Qiao Feng not bowing to fate in a difficult situation, and finally transforming into a generation of heroes, he created a’Chinese hero ‘with flesh and blood, and who is indomitable."


This is easily reminiscent of the "Ip Man" series that made Donnie Yen famous, which has built a relatively successful "Chinese superhero" image in four episodes in a decade, and also makes us have certain expectations for "The Biography of Qiao Feng".

 

Another source said that the film will be directed by the producer and director of "Chen Qing Ling". Wang Jing’s feelings for Jin Yong are well known, and the 1993 film was also regarded as a classic.



But the two online movie versions of "Yitian Dragon Slayer" that he restarted during the Spring Festival attracted a lot of scolding, and Donnie Yen’s role in Zhang Sanfeng also failed to satisfy the audience.

 

The two once again collaborated to adapt Jin Yong’s classics. Whether it was "love killing" or "fried cold rice" made people sweat.


Coincidentally, the starring film version of "Don’t Call Me" God of Gamblers "also played a card of feelings that spanned decades.

 

The "God of Gamblers" series is one of Fage’s representative works. 20 years after its release, Chow Yun-fat teamed up with Wang Jing again to create the "Macau Situation" series, and the unsatisfactory results consumed the gold content of this sentiment to a certain extent.



This time, "Don’t Call Me" God of Gamblers ", although borrowing the name of" God of Gamblers ", obviously has a different warm and inspirational temperament. In addition, the creative team of" Peerless "- screenwriters, supervisors Huang Bin, etc., make people look forward to it.


 

Twenty-one years ago, "Seeking Qin" could be called the originator of the time-travel drama, and Gu Tianle’s "Gu Xuan CP" was also the "white moonlight" in many people’s hearts.

 

This time, the film version was produced by Gu Tianle’s Tianxia First Company, and he also persuaded Xuanxuan, Lin and other original cast members to return, which shows the depth of his own feelings.


In addition to martial arts and crossing elements, science fiction was also a major highlight of "The Search for Qin". At that time, due to the technical level, the slightly rough crossing scenes were expected to be qualitatively improved in the movie version.



When it comes to sci-fi, we have to mention another sci-fi film that worries Koo Tianle.


It is also produced by Tianxia, starring an all-star lineup such as Gu Tianle, Gu Tianle, etc. It was completed in 2017, but it has not been released due to the epidemic and later reasons. Gu Tianle recently released a short video in person, looking forward to meeting the audience.



The story is set in 2055, in the face of alien invasion, elite troops will join forces to defend the earth. The film claims to have invested 450 million Hong Kong dollars.

 

Koo Tianle once explained his original intention in an interview: He hoped that through this film, the special effects of Hong Kong films have reached international standards. Hong Kong not only has police and gangster films and love sketches, but also serious science fiction films.



Police and bandits are still the "highlight"


Looking at the Hong Kong films that have sold well in recent years, apart from a few comedies and romance films, police and criminal films are still absolutely mainstream. In the future, there will also be a large number of films queuing up to book the "next hit".

 

Koo Tianle is recognized as a model worker in the film and television industry, but in the crime genre film reserve, he has to give way to Guo Fucheng. He starred in many heavyweight blockbusters such as "Temporary Robbery".



Among them, the directing of the era’s masterpiece "When the Wind Rises Again" kept audiences waiting the longest.


The film once again brings to the screen the stories of the four detectives who once dominated the Hong Kong police circle, including both police and bandits, as well as song and dance elements. They practice piano for the characters for three months and are expected to be finalized in the near future.


 

"Broken Network" and "Insider" have both tried to innovate their themes. "Broken Network" focuses on online financial crimes, blending Internet elements such as virus intrusion, hacker interception, and dark net transactions with Hong Kong-style characteristics such as undercover warfare and hand-to-hand racing. It has been scheduled for release on September 9. Mid-Autumn Festival.


The recently announced Insider, a film directed by the director and starring Guo Fucheng and the "Dangerous Man", will also take a different approach: lawyers will work with detectives to expose the shady scenes and crimes behind "charity".



As we all know, Hong Kong films love the elements of duality, and now "tripods" have gradually become standard. The "Temporary Robbery" mentioned at the beginning was produced by the supervisor, and Guo Fucheng, Lin Jiadong, and Ren Xianqi formed a "robber team", which was completed at the end of last year.

 

After the box office of "Anti-Drug 2" 1.30 billion, "Anti-Drug 3 Days Big Earth" continued to be directed, focusing on the Golden Triangle drug trafficking case. The lineup was also upgraded as a whole, Gu Tianle continued to lead, Guo Fucheng joined the new, and Liu Qingyun will return to play the villain.



Qiu Litao can be regarded as one of the busiest Hong Kong directors. In addition to "Anti-Drug 3", he also has an adaptation of Zhou Haohui’s novel, starring Gu Tianle, Wu Zhenyu; and Wu Zhenyu.

 

There are also collaborations with "War Epidemic Angels" and "Bomb Locker 3", the former has been completed, and the latter has long been on the agenda.



 

In addition, Liu Qingyun also has a film that must be mentioned. The film was set for this year’s Qingming Festival. After Liu Qingyun’s "Detective" 15 years ago, he cooperated with him again, starring in "Detective", and Lin Yanhe helped out, which can be said to have earned enough expectations.



Adapted from the manga "Kowloon Walled City", the movie "Kowloon Walled City · Siege" has finally come to fruition. Directed by Gu Tianle, Ren Xianqi, and Lin Yu, the real scene is restored to the style of Kowloon Walled City in the 1980s. It has been completed in April. For Hong Kong film fans, it is undoubtedly a "lifetime" series.



The screenwriter "Mai Zhuang Group" split up, Mai Zhaohui directed the above-mentioned "Insider", and Zhuang Wenqiang once again collaborated with Tony Leung and Andy Lau, bringing financial crime themes after 19 years.

 

The film is set in Hong Kong in the 1970s and 1980s, and the story is based on the "Canning Group Case", which tells the story of a Hong Kong-listed company’s rise to liquidation in just a few years.

 

According to the plot, Tony Leung may play the villain, while Andy will fulfill his promise of "being a good person".



It is not difficult to see from the above film list that although Hong Kong films are often officially announced, they cannot escape the controversy of "actors are young and yellow" and "selling feelings". But it is undeniable that in recent years, a large number of Hong Kong films and co-productions have emerged in the market, and these "actors" are also constantly achieving advancements and breakthroughs.

 

The "Hong Kong film is dead" argument is long outdated, and the next Hong Kong film hit is on the way.


Danging and standing again! Abandoning his 14-year first love and choosing a second marriage, he has been divorced for 9 years. Chen He can’t hide his thoughts anymore

From "scum" to "good dad": is time the best medicine, or is it a double standard for the masses?

After the divorce, Chen He’s career was not greatly affected. Instead, he won the love of some viewers again with his true and unpretentious character in the variety show. After he married Zhang Zixuan and had a daughter, he frequently shared bits and pieces of family life on social media, creating a "good father" image of the family who loves children.

The former "scum" seems to have been whitewashed by time, and the public’s evaluation of him has gradually become tolerant. Is this change time the best medicine, or is the public’s double standard for men and women? If Chen He were replaced by a female public figure, would he still get the same tolerance and understanding?

III. From "judge" to "bystander": Do we have the right to judge the emotional lives of public figures?

In the Internet age, everyone can become a publisher and disseminator of information, and the private lives of public figures have become the talk of the public after dinner. We are eager to comment on their emotional lives, as if we were turning into moral judges. What we see are only fragments processed and rendered by the media, and we often have no idea of the whole picture and the truth of the event.

Rather than judging others from the moral high ground, it is better to choose to be a rational bystander. The emotional lives of public figures are their private affairs, and we have no right to interfere, let alone over-interpret and consume.

Chen He’s ten-year transformation is a social phenomenon worthy of our reflection. In the era of information explosion, we should maintain the ability to think rationally and independently, not be coerced by public opinion, and not easily judge others. Everyone has the right to choose their own way of life, and we should respect their choices and be responsible for their words and deeds.

(In order to better illustrate the point of view, you can consider adding photos of Chen He, Xu Jing, Zhang Zixuan and others in the article, as well as screenshots of relevant coverage, to enhance the readability and persuasiveness of the article.)

Chinese Youth Video Forum reveals nominations, Peng Yuyan competes for emerging male actors

1905 movie network news The 12th Chinese Youth Video Forum will be held in Wuhan, Hubei from September 22 to 26. On August 30, the forum held a media communication meeting in Beijing to announce the list of shortlisted works and personnel for the "New Artist of the Year" and "Video Exhibition", and at the same time announced the guests who participated in the main activities of the forum such as the Annual New Artist Promotion Committee and the Project Venture Capital Jury. Rao Shuguang, Secretary General of the China Film Association and Director of the Film Art Center of the China Federation of Literary and Art Circles, actors Na Renhua and Yan Danchen, composer Shu Nan, young directors Li Ruijun and Wang Xuebo attended the day’s activities.

 

Er Dongsheng became the chairman of the new promotion committee, and Peng Yuyan was nominated for actor of the year

 

As an important main event of the Chinese Youth Video Forum, the annual New Filmmakers Promotion Unit aims to professionally select and recognize the outstanding young filmmakers in the fields of acting, directing, photography, recording, art, editing, music, and production this year. After inviting Xie Fei, Mu Deyuan, Huang Jianxin, Yin Li and Feng Xiaogang to attend the previous five sessions, Hong Kong director Er Dongsheng became the "helm" of this year’s new promotion committee. He will work with actors Na Renhua and Feng Yuanzheng, general manager of China Film Overseas Promotion Co., Ltd. Gu Guoqing, screenwriter Zou Jingzhi, director Cai Shangjun, photography director Zhao Xiaoshi, recording director Tao Jing, art director Cao Jiuping, editing director Yang Hongyu, composer Shu Nan, and ten individual honors such as annual emerging director, screenwriter, and actor will be selected.

 

At the media communication meeting that day, judge Na Renhua also announced the list of nominees for this year’s "New Artist of the Year". "28 Years Old", "One Word Worth 10,000 Sentences", "Hello, Crazy!", "Glitter Girl", "Donkey Gets Water", "Riding the Wind and Waves", "Like You" and other 20 works were selected for the annual film list; Peng Yuyan, Zhou Baihao and Peng Yuchang were all nominated for the annual new actor; in terms of actresses, Ren Suxi, Li Qian and Xu Lu were shortlisted. It is reported that the final evaluation results of the annual new artist promotion will be announced at the "Annual New Artist Promotion Ceremony" on September 26.

 

"One Mind Nameless" and other shortlisted video exhibitions, the project venture capital will support young filmmakers

 

The video exhibition is another important main event of the Chinese Youth Video Forum. The exhibition solicits excellent works of young Chinese directors from all over the world. Since April 2017, hundreds of Chinese-language films have been signed up from home and abroad. After the selection of 12 filmmakers, scholars and film critics, a total of 33 works have entered the final list. They include 16 feature films such as "One Mind Without Understanding", "Island of Streams" and "Decibel Life", 9 short films such as "Girl Su Yun" and "Invisible Kingdom", as well as 6 documentaries and 3 animated works.

 

In addition to using the video exhibition to identify and cultivate cutting-edge Chinese film talents, the Chinese Youth Video Forum has also established a "New Youth Manufacturing and Project Venture Capital" public welfare film project incubation platform to provide a good project growth environment for young filmmakers, and to build a communication bridge between film projects with market potential or artistic value and powerful film investment and distribution institutions in the Chinese language industry. This year’s "New Youth Manufacturing and Project Venture Capital" has expanded on the basis of last year, with 21 strategic cooperation institutions signing contracts. 21 top film and television companies such as the Film Channel Program Center of the State Administration of Press, Publication, Radio, Film and Television, Bona Film, Bad Monkey Film, and iQIYI will escort the shortlisted projects. The jury will select five awards: "Winning Award, Business Potential Award, Most Creative Award, Creative Wuhan Award, and Attention to Children Award." The winners will also be announced at the annual New Artists Promotion Ceremony on September 26.


The shortlist for the 12th Chinese Youth Video Forum is as follows:(Sorted by strokes, 33 in total)

 

Feature films (16)


1. "One Thought Without Understanding", Huang Jin

2. "The Heavy Snow Winter Solstice", Xing Xiao

3. "Island of Streams", Zhan Jinglin

4. "School Terror", Gao Peng, Liu Dingye

5. "Clouds are waiting for me in my hometown", Qi Xu Nan

6. "Decibel Life", Chen Shengji (Malaysia)

7. "Heart Lamp · Ghee", Guan Xi

8. "Eight Years Old", Yang Jin

9. "Farewell", Peng Tao

10. "Golden Pearl Mami", Yang Rui

11. "Spring Tide in Akino", Chen Zhihai

12. "Mourning Women’s Heavenly Group", Sang Mutian, Liu Bowen

13. Discrete Categories, Chen Yue

14. Johnny Keck, Huang Xi

15. "Yuan Shang" (Special Screening), Qiao Liang

16. "The Couch Sleeper", Long Fei

 

Drama shorts (9 films)


1. "The Girl Su Yun", Wu Jiakai

2. The Prisoner, Pan Siqi

3. "Exam", Song Jinsui

4. "Park of Memories", Zhou Nanshen

5. Halley’s Comet, Guo Zihao

6. The Invisible Kingdom, Liu Mingshan

7. "Parables", Yang Yi Hu (UK)

8. "Gaofu Town", Qiu Sheng

9. "Black Car Driver", Sun Liang

 

Documentary (5 films)


1. "Do What You Want", Yang Lizhu

2. "Floating Life in the County Town", Qiao Jiaqi

3. "Crazy Patriots" by Liu Zhongbo

4. "Home", Cheng Li

5. "The Shaky World", Fan Jian

 

Cartoons (3)


1. "Story in the Mountains", Li Qiwei

2. "Old Bear", Chen Chen (France)

3. "The Adventure of Fat Cow with Flammulina velutipes", Zou Shanshan

 

The 12th Chinese Youth Video Forum The annual list of emerging filmmakers is as follows:(Sort by strokes)

 

The shortlisted films (20):


"28-Year-old Minor"      

"MRS K"            

One sentence is worth 10,000 sentences.

"Ignorance"         

"Island of Streams"          

"Decibel Life" (Malaysia)

The Stone.          

"Shining Girl"          

"Eight Years Old"

"Hello, madman!"     

The donkey gets water.            

"Golden Pearl Mami"

"The Hunter"        

"Mourning Women’s Heavenly Group"    

"Forgive Him 77 Times"

"Riding the Waves"       

Mountains Moved by the Sun  

"Lover."

"Like You"        

"Johnny Keck."

 

Nominations for New Artists of the Year:


Rising Screenwriter of the Year: 

 

Wang Qiang, Mountains Moved by Sunlight

Zhang Tianhui and Yang Jianjun, "The Hunter"

Chen Chu Heng’s "One Thought Without Understanding"

Zhou Shen and Liu Lu, "The Donkey Goes to Water"

Huang Xi, "Johnny Keck"

Zhan Jinglin, "Island of Rivers"

 

New Director of the Year: 

 

Wang Qiang, Mountains Moved by Sunlight

Chen Shengji, "Decibel Life" (Malaysia)

Zhao Xiang "Stone"

Huang Jin’s "One Thought Without Understanding"

Huang Xi, "Johnny Keck"

Zhan Jinglin, "Island of Rivers"

 

New Photographer of the Year:


Zhu Zhigang’s "28-year-old minor"

Chen Keqin’s "Decibel Life"

Chen Qiwen, "Island of Streams"

Cheng Ma Zhiyuan "Riding the Wind and Waves"

 

New Editor of the Year:


White Jade "Riding the Wind and Waves"

Su Wentai and Zhang Huijun, MRS K

Zhou Shen, Yang Yang and Li Quanyang, "The Donkey Goes to Water"

Zhan Jinglin, "Island of Rivers"

 

New Recording Artist of the Year:


Zhang Wenjuan and Xu Ying, "Donkey Goes to Water"

Zhao Ying "One sentence is worth ten thousand sentences"

Guo Ming, Tu Hao, "Riding the Wind and Breaking the Waves"

Dege made "The Hunter"

 

New Artist of the Year:


Wang Kuo "Riding the Wind and Waves"

Wang Taisi, MRS K

Chen Feiyu, "Mourning Women’s Heavenly Group"

Lin Zhifeng’s "Decibel Life" (Malaysia)

 

New Actor of the Year:


**** Mountains Moved by the Sun

Chen Zeyao’s "Decibel Life" (Malaysia)

Zhou Baihao, "Forgive Him 77 Times"

Peng Yuyan’s "Riding the Wind and Waves"

Peng Yuchang "Shining Girl"

 

New Actress of the Year:


Ren Suxi, "The Donkey Goes to Water"

Li Qian "One sentence is worth ten thousand sentences"

Yang Xiucuo, "Golden Pearl Mami"

Xu Lu’s "Shining Girl"

Rema Cedan, "Johnny Keck"

 

New Producer of the Year:


Wang Lilin’s "Decibel Life" (Malaysia)

Li Haihua’s "Mountains Moved by Sunlight"

Li Wenwen and Yu Meng, "Riding the Wind and Breaking the Waves"

Zhang Zhuti, "Johnny Keck"

Sachiri, Huang Tianyi, Conley, "The Donkey Goes to Water"

Bao Bell was criticized as a bad movie actor for "Robot"! The king of bad movies in the film and television industry, who is more destructive?

After the release of the movie "My Girlfriend is a Robot" (referred to as "Robot") starring Bao Bell and Xin Zhilei, it was complained by the audience. At present, the film’s watercress rating is only 3.5 points. The male protagonist Bao Bell, because of the previous "Fat Man Action Team", "Martial Arts Monster" and other movies, the reputation is also extremely general, so after the release of "Robot", Bao Bell was also criticized as a bad movie actor.

Movies were more tests of actors’ acting skills. Even if they were recognized by the audience in TV dramas, it did not prevent these actors from becoming the "king of bad movies" on the big screen.

Luhan

Recently, Luhan has gained quite a good reputation with the TV series "Doom" and "Crossing the Wire", but the movies that Luhan once starred in have extremely average reputation, especially the movie "Shanghai Fortress", which completely pushed Luhan to the forefront of the trend.

Since his debut, Lu Han has starred in a total of 8 movies. In addition to "The Founding of the Army", movies such as "Return to 20 Years Old", "The Great Wall", and "Notes on Tomb Robbery" have all had average reputation, so Lu Han’s acting skills have also been questioned. However, recently, Lu Han’s reputation in TV dramas has picked up. As for movies, actors need to speak with strength in their follow-up works.

Yang Mi

The TV series starring Yang Mi are still very popular with fans, including the recent completion of "Mrs. Dendrobium" with Chan Weiting, which has also attracted widespread attention.

However, the films that Yang Mi starred in had a very average reputation. The films "Tiny Times", "Why Sheng Xiao Mo", "Jazz Trail", etc., although the box office was good, they had a good reputation.

Guo Degang

In the entertainment industry, Guo Degang is now a highly respected old-timer of crosstalk. From movies to variety shows, Guo Degang has made great contributions to the crosstalk industry. He can carry forward the traditional crosstalk and even expand in movies. Guo Degang is indeed a visionary crosstalk actor.

However, it turns out that Guo Degang’s movies are not very popular with audiences. The "Nineteen Generations of Ancestors" he directed brought together actors such as Yue Yunpeng and Wu Jing, but the final Douban score was only 4.2 points. The same is true for his movies, which were also complained by the audience. Therefore, in the past two years, Guo Degang has gradually stopped acting in movies, but focused on various variety shows related to cross talk, and has achieved very good results.

Xiaoshenyang

Xiao Shenyang became famous because of the Spring Festival Gala. In fact, Xiao Shenyang was a more versatile two-person actor. After he became popular, he also appeared in variety shows a lot.

However, in movies such as "Three Guns Shooting Surprise", "Laughing Jianghu", "The Wrong Will Be Wrong", Xiao Shenyang’s comedy effect was complained of embarrassment, failed to make a breakthrough in comedy movies, and was crowned "The King of Bad Films". Xiao Shenyang is indeed a pity actor.

Yang Ying

In fact, before Yang Ying acted in TV dramas, she really starred in a lot of movies, but in movies like "Smile is very alluring", "Bride Battle", "Murder is like water" and other movies, Yang Ying’s acting skills are also much questioned, especially later in the field of TV dramas, Yang Ying’s reputation has plummeted.

Yang Ying’s acting skills had always been questioned by the audience. Although in the recent "Skyscraper", Yang Ying’s acting skills had improved and even received praise from Zhang Ziyi, after all, the long-term solidification of the impression still needed some time to reverse.

Jingtian

Actor Jing Tian was a typical example of a sweet-looking but unpopular actor. Since her debut, Jing Tian had also worked very hard in film, but unfortunately, "The Great Wall", "Pacific Rim 2" and even "King Kong: Skull Island" had not allowed Jing Tian to gain the audience’s recognition in film.

In short, Jing Tian’s current impression on the audience is also very difficult to reverse. It is more difficult to establish a good reputation. It is estimated that Jing Tian will also have to make a lot of efforts to eventually reverse the impression in the hearts of the audience.

In fact, there is no "king of bad movies" forever in the entertainment industry. If an actor can really find a work that fits him very well, and this work is recognized by the audience, the label of "king of bad movies" will be removed sooner or later, but for those actors with high traffic, it is still difficult to reverse this impression. Wen/Chen Xi

After "The Wind Blows Half Summer", Zhao Liying moved towards the top of 85 flowers?

Teacher Wen/Ya

The transformation of 85 flowers is already an old topic, and it seems that anyone who does not mention transformation is unambitious.

But after a few years of exploration, some 85 flowers have completed the process of marriage, childbirth, and divorce, but the steps of transformation have never been taken.

In this situation, Zhao Liying stood out. At the end of last year, a suspense-type film "Who is the Murderer" became gorgeous and "ruthless". In the middle of this year, a rural heroine drama "Happiness to Thousands of Families" opened up the scene. At the end of the year, another high-reputation "Wind Blows Half Summer" added another boost to her.

Looking back at the growth process of 85 Flowers is like a marathon. Marathon, on the one hand, describes its long time span and long journey, on the other hand, describes its situation changes, and those who start lagging behind may also become the final leader, just like Zhao Liying now.

The only suspense now is, can "The Wind Blows Half Summer" help Zhao Liying run the last mile of transformation?

The word-of-mouth and popularity of "The Wind Blows Half Summer" are flying together.

Zhao Liying got off safely

From the perspective of the series itself, "Wind Blows Half Summer" has already gained the approval of the audience. Now looking at the watercress score of a drama, in addition to the score itself, it is also very telling when to open the score. Some dramas have not seen the light of day until the end of the update. A week after the broadcast of "Wind Blows Half Summer", watercress scored 8.4, surpassing "The World" with 8.1 points, becoming the highest domestic watercress score so far this year.

Behind the popularity of the platform, there is a real trend of chasing dramas. Whether it is the famous representatives of strong women such as Xiang Tai and her girlfriend Xie Na calling for the drama, or occupying social media highs such as Weibo and Douyin from time to time, "The Wind Blows Half Summer" is undoubtedly the hottest drama in this cold winter.

"Wind Blows Banxia" is a standard business war group portrait drama, as well as a woman’s personal struggle history. The drama is set in the surging 1990s in China, starting from the steel industry and telling the story of a group of entrepreneurs led by Xu Banxia, played by Zhao Liying, seizing the opportunity of reform and opening up.

"The Wind Blows Half Summer" stills

The play is based on the well-known author Anai’s novel "not to be reborn" adaptation, from the original famous can be seen, the story’s base color is realistic, cruel.

In the process of film and television adaptation, the title of the drama at the time of filing was "Savage Growth", which became the "Wind Blows Half Summer" of some literature and art today before it was broadcast. The dark part of the work was also weakened to a certain extent.The creators are finding a balance between realism and heroine drama.

Zhao Liying has played many heroines since her career, but mostly in ancient puppet or fairy drama, Xu Banxia may be one of the most complex characters she has ever encountered.

Xu Banxia’s mother died giving birth to her, so her father named her "Banxia" because the birth of Banxia is toxic. Her birth is destined to be like many heroines in Ah Nai’s novels, and she cannot get enough love from her original family.

Xu Banxia did business as a woman in the steel industry, which was dominated by men. She had more means and courage than men, and she had to be exquisite and knowledgeable. Eventually, she became a leader in the steel industry from a small boss who sold waste products.

In "The Wind Blows Half Summer",Xu Banxia had experienced several ups and downs in life, and the test for actors was not small. It required not only delicate handling of emotional changes, but also sufficient explosive power and a strong aura.

In addition, in the original novel, Xu Banxia’s image is also very different from Zhao Liying’s.

"The Wind Blows Half Summer" stills

In the original novel, Xu Banxia weighed 100 kilograms at the peak, and Anai described her as "tall and fat". This image made her a genderless person, but it helped her to do business in the male circle.

Even though Zhao Liying has deliberately gained 5 kilograms for the drama, her figure in the picture is still exquisite and slender, so that her childhood in the drama calls her "fat man", and she must add an explanation "because she has been fat since she was a child". This 50-kilogram appearance difference makes many things that Xu Banxia in the original novel can do. When Zhao Liying in the drama does it, the screenwriter, director and actors need to work together to make it still seem credible.

In addition, "The Wind Blows Half Summer" is a period drama. The 1990s is not far from now. For audiences over the age of 40 or 50, it is the era they have experienced and struggled with.

How can we not only show that in that special era, the first batch of entrepreneurs were different from contemporary people, reflecting the characteristics of the times, but also convincing and not overly exaggerated? Zhao Liying and the creators behind her need to carefully grasp the scale.

After the double insurance shock video,

Can you do it?

For actresses who are ambitious and want to make a transition, Anai’s script is obviously not to be missed.

Previously, she had helped many female protagonists break through the bottleneck of their careers, such as Liu Tao and Jiang Xin in "Ode to Joy", Yao Chen who played Su Mingyu in "It’s All Good", and Tong Yao in "Big River". Although there were not many scenes, it was impressive. She also won the Magnolia Award for Best Supporting Actress and the Golden Eagle Award for Best Actress.

"The Wind Blows in Half Summer" is both a commercial group portrait and a leading female drama, and Anai herself is from the steel industry, so she should have more experience in shaping this role. The unique historical background also makes this work more unique than "Ode to Joy" or "All Good".

"It’s All Good" stills

At present, although Zhao Liying’s handling of the character is not easy, it has basically held up.

I can feel that Zhao Liying is trying her best to play.

If a traffic artist wants to transform, they must first make changes in their appearance.

In "The Wind Blows Half Summer", Zhao Liying did not make too many sacrifices at first glance. For example, she did not deliberately pretend to be ugly. Although there were moments when she was close to being plain, many times it could even be called glamorous. When the poster of the former character was released, netizens commented that Zhao Liying found the most suitable look for herself.

However, when she really entered the play, it was obvious that Zhao Liying’s face was round, and her chin could be seen from some angles. Especially in the play, her black wavy curly hair, berry-textured red lips, and the color of her clothing were also dominated by bright colors with high saturation, especially when she appeared in a commercial setting that required a sense of presence. Although it was eye-catching, it was by no means symmetrical and delicate.

From the current perspective, Xu Banxia’s base makeup is actually relatively rough, and the foundation color is a little too white. You can see the feeling of floating on the skin, and you can see at a glance that it is wearing makeup.But this is also a sign of the era at that time.In addition, although some scenes in the play have filters, they will not give the actors skin, and there are also many scenes that are almost naked.

"The Wind Blows Half Summer" stills

Because the airtime of "The Wind Blows Half Summer" and "The Eighth Law of Love" collided, the fight between the two 85 flowers could not help but be compared.

Only from the shape and makeup effect can we see the difference between "The Wind Blows Half Summer" and "The Eighth Law of Love".

In "The Wind Blows Banxia", the clothing path is to serve the heroine Xu Banxia, and also to serve the sense of age that the whole play wants to create, while the shape of another play is more like serving the female star herself.

Another interesting point is that Zhao Liying has a long-term negative evaluation that has accompanied her, but helped her in "Wind Blows Half Summer", that is "soil".

Since her debut, "dirt" and "not fashionable enough" have seemed to have surrounded Zhao Liying. She was born in rural Hebei, graduated from secondary school, and has no advantage among the beautiful girls who have studied in science. Later, when she finally became the spokesperson of the luxury brand DIOR, a sentence in the advertisement that was not pronounced properly made her the object of ridicule.

But this "dirt" is precisely what is needed to shape Xu Banxia. Imagine if the role were replaced by some actress with a cold temperament, it would become nondescript.Even if there are still audiences who are dissatisfied that Xu Banxia’s entrepreneurial journey in the drama is a bit too "big heroine Shuangwen" and too open-minded, Zhao Liying’s "soil" maintains the base color of this character.

Zhao Liying’s previous "Happiness to Wanjia" is the same.

"Happiness to Wanjia" stills

In addition to "soil", Zhao Liying also has some dull feelings.

Obviously, she is not a talented actress like Zhou Xun and Zhou Dongyu. Even in the past idol dramas, what she was best at were some cute and single-minded roles.

As a female artist with her own red and black physique, she was often criticized for her "low emotional intelligence" and often spoke inappropriately when dealing with people, so she also received the nickname "Zhao Xiaodao".

This character trait is also reflected in "The Wind Blows Banxia". Zhao Liying’s interpretation of Xu Banxia in a group of old foxes is not as comfortable as when she shows Xu Banxia as a lone brave man in the mall.

Although Zhao Liying’s performance in "The Wind Blows Half Summer" is not yet easy, it is a very good conclusion to play a female lead in a domestic drama that ranks among the top in the annual rating.

Zhao Liying also has a new masterpiece.

Next, let’s see if we can achieve anything in the awards.

The major pain point of 85 flowers is that there are no awards. Whether it is forward or backward, whether it is entering the big screen or retreating to the small screen, it is necessary to have topics and topics, and awards have topics.

Zhao Liying is the person closest to the mainstream awards among the 85 flowers.

"Do you know if you should be green, fat, red and thin" stills

Previously, she had already won the nomination for Best Actress of Magnolia with "Hua Qiangu" and "Do you know if you should be green, fat, red and thin". This year, there are "Happiness to Wanjia" and "Wind Blows Half Summer". Both dramas are realistic themes, and well-produced, word-of-mouth and popularity coexist. Obviously, it is more in line with the taste of the award, which almost guarantees her the best actress.

If Zhao Liying can win mainstream awards such as Magnolia next year and the Golden Eagle Award the year after, then she may be the first to stand out and become a widely recognized actress after a long-standing battle of 85 flowers.

When can I put down the ancient puppet?

Looking back on Zhao Liying’s transformation path, starting from "Know or Not", there are basically no mistakes.

According to the work itself, "Know It or Not" has passed the production test, and since it was broadcast in 2018 to today, the long-tail effect has become more and more prominent. For Zhao Liying personally, "Know It or Not" just filled the gap when she was unable to work during pregnancy, so that she was not far from the audience’s sight, especially at that time, her relationship with Feng Shaofeng in the play continued outside the play, which also diluted the fans’ dissatisfaction with this relationship and enhanced the popularity of passers-by.

After her postpartum comeback, although her partner Wang Yibo’s "You Fei" was abusive, she followed suit by participating in the suspense drama "Who is the Murderer" at iQIYI Mist Theater, expanding the boundaries of the drama and the theme of the work.

"Who is the Murderer" stills

Then she took on "Happiness to Wanjia", which was another collaboration between Zheng Xiaolong and Zhao Dongling.Being able to take over this drama means that Zhao Liying has been considered together with Tsing Yi, who is the most popular in the TV drama industry, such as Haiqing and Sun Li.

Zheng Xiaolong once said in an interview that the reason for choosing Zhao Liying was on the one hand based on the cooperation in "Golden Marriage". He knew that Zhao Liying had a sense of stubbornness. On the other hand, Zhao Liying was born in a rural area and was no stranger to the life of the heroine.

Since entering the industry in 2006, Zhao Liying has played the passerby A for seven or eight years. Compared with Yang Mi, who has been playing the princess since childhood, Zhao Liying has played the maid, sister and passer-by with little status for many years, and has become today’s eldest heroine.

Her grass-roots background may have made her "unqualified" when she won some so-called high-end business resources, but when she was an actress, it became her confidence and qualification to interpret the role.

Even if Zhao Liying has taken such a clear step of transformation, she still cannot completely get rid of the past evaluation system.

When "The Wind Blows Half Summer" first aired, Zhao Liying suffered a "trial" in the play, saying that she had hair, a tired face, and a puffy and greasy face. Audiences who can be so picky may not be satisfied with the emotional line in "The Wind Blows Half Summer". The one who has a relationship with Zhao Liying in the play is Zhao Lei played by Li Guangjie. For viewers who think that "beauty is justice", I am afraid they can’t go on.

"The Wind Blows Half Summer" stills

As long as you make a choice, there are gains and losses.

Zhao Liying’s only "invalid broadcast drama" on the road of transformation is "Youfei". During the broadcast of this drama’s S + level production, the response was mediocre, and the production was just passable. The war of words between male and female fans also consumed a part of the popularity.But then, Zhao Liying actually killed another carbine, and next year 85 flowers will return to the ancient puppet collectively, and she has not become an exception.Not only to take the old road, but also to go with his old friend Lin Gengxin.

A few days ago, "with the phoenix line" has been completed, although the Xianxia drama, Zhao Liying’s status has been different. In addition to serving as the heroine, she also served as a producer, and gained more has the voice over. In addition, the drama has also played a light comedy style slogan like today’s hit "Star Han Splendid" and "Qingqing Daily", but even so, it is difficult to believe that the drama will break the mold of Xianxia drama.

"Walking with the Phoenix" stills

From this choice, it can be seen that at least for now, Zhao Liying does not have enough confidence to completely lay down her old position.

Many actors have said this in interviews: "Actors are jobs for life." Theoretically, an actor’s job can last until the last day of his life. But the reality is that actors are also always being selected, and the choice of directors, producers and audiences determines the day they are "retired".For most people in this industry, the day is often silent when it really comes, and the parties are too late to realize it.

Compared with many 85 flowers, returning to the ancient puppet is to some extent forced, or it may be to quench the thirst of the dove. But Zhao Liying has already won the space for herself to choose. As an actor, Zhao Liying might as well change to a stronger opponent.

Type-C 50W two-way fast charging! Xiaomi 20000mAh mobile power supply has a spike price of 189 yuan


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MI Xiaomi PB200SZM mobile power supply, black 20000mAh Type-C 50W two-way fast charging. The current spike price is 189 yuan, and the cost performance is very good. Small partners in need can pay attention. Xiaomi power bank, original 20,000 mAh, mobile power supply 50W PD fast charging is suitable for Xiaomi/Redmi mobile phones, and the power bank contains a data cable [dealer] JD.com mall [product price] 189 yuan Enter the purchase…

The true warrior will move forward even more vigorously

The wind rises at the end of Qingping, and the waves form in the breeze. In the decades that China’s auto industry has gone through, countless heroic and courageous car brands and products have stood on the top of the tide at the time of acceleration and fission of the times. From Emgrand to M8, Lantu Dreamer, etc., from cars to SUVs, MPVs, etc., all are heroes.

When the heroes of the era of fuel vehicles are over, the era of new energy vehicles has opened up. Some people say that the new era will definitely be an era of great promise, and it will also be an era of heroes. In the Chinese auto market, electric smart products are showing a trend of high-end and personalized upgrades, with new categories and new species emerging in an endless stream.

This market is rich and diverse, but it has the same leading logic, that is, it always revolves around meeting market demand. On August 27, it is a day worth remembering that the first luxury electric off-road brand in China’s automotive history, the Warrior brand, was born. It will inherit the powerful off-road genes of military vehicles and combine the most cutting-edge intelligent technology in the new era to become the most dazzling pearl.

The birth of the Warrior brand is a natural historical inevitability. On the one hand, the combination of electrification technology, intelligent technology and off-road brings new technical advantages and driving experience; on the other hand, domestic and foreign car companies have laid out the electric off-road market. Although the electric off-road market has great potential and many people have laid out, the flag bearers are temporarily absent.

Until the appearance of the Warrior brand, "let customers have no difficult road, no place that cannot be reached", behind the company’s chairperson and party secretary Zhu Yanfeng’s powerful voice, is the strong confidence brought by the hard-core genes of military off-road, which is the strong confidence of the Warrior brand to continuously explore and challenge itself.

A great opening

Looking back on the past, Shaohua admires. From the first fully autonomous military vehicle to the first brand of Chinese military vehicles, the ambition of the road is as real as iron, and now we are making progress from scratch, and the pace of the exploration of the warrior brand has never stopped. Today, with the completion of technology, the warrior brand will carry a new mission and drive into the infinite yearning for a better life.

The strong are not born strong, but have been continuously polished in countless years of burning passion, and have grown into the appearance of the strong. In order to help realize the dream of an automobile power, the company has deeply implemented the "Dongfang Fengqi" plan and the technological "leap" action. The launch of the luxury electric off-road brand Warrior is an important chapter of the "Dongfang Fengqi" plan and an important connotation of the technological "leap" action.

Difficulties and hardships, Yu Rucheng. Intelligent technology empowers powerful all-terrain performance and greatly reduces the threshold for off-road. The Warrior brand is determined to write the accumulation of glory and the development of the times. At the same time, the Warrior intelligent off-road architecture M TECH is the world’s first, leading the trend of China’s luxury electric off-road technology with super platform, super power and super off-road.

For a long time, it has been a company with a strong technical atmosphere. From commercial vehicles, passenger cars to high-end new energy, it is precisely because of its fruitful achievements in the field of power and technology that these sectors have gained a firm foothold in the Chinese auto market, and also reflect the true strength and level of Chinese manufacturing.

As a pioneer of Chinese luxury electric off-road brands, the intelligent off-road architecture of the Warrior brand, M TECH, is a world-class intelligent off-road vehicle architecture with global expansion, extreme evolution, and excellent performance. It is also the first comprehensive technical solution for exclusive luxury electric off-road in China.

It adopts a domain-controlled centralized electronic and electrical architecture that supports 5G communication, Gigabit Ethernet and other technologies, and has the most comprehensive electronic-controlled intelligent chassis system. It adopts reliable durability development with military-grade strength, and an all-round multi-dimensional test and verification system. The powerful strength of the M TECH architecture will explore a new dream highland for the Warrior brand and for Chinese automobiles in the fission of the times.

M TECH architecture fills the gap in China’s luxury electric off-road technology, and builds an industry-leading hardcore technology cluster in the three fields of platform, power, and off-road, including: Warrior skateboard off-road platform MORA, Warrior power MEGA POWER, and Warrior off-road all-terrain intelligent solution M ATS.

Warrior skateboard platform MORA is China’s first electric off-road skateboard platform; Warrior power MEGA POWER uses front and rear four motor drive, is China’s first power platform with more than 1000 horsepower, adopts the world’s first two-speed transmission with integrated differential lock, wheel torque exceeds 16,000 Nm, and zero acceleration takes only 4.2 seconds.

The MATS off-road all-terrain intelligent solution can intelligently select the most ideal off-road mode according to different environments, which can realize "crab mode". In addition, the MATS M-Terrain is also innovatively equipped with intelligent technologies such as the Oriental Eagle Eye intelligent drone system, intelligent security system and L3 intelligent driver assistance system to further enhance the intelligent off-road experience.

The outstanding technological innovation and technological excellence created by the perseverance of R & D have helped the Warrior brand reach the highest peak that its own brand can reach. "After 6 years, we have actively applied the most advanced results with the spirit of geek, and are committed to bringing customers an unimaginable off-road experience."

Such an opening has ignited the "high-end" and "globalization" of Chinese electric off-road brands. The Warrior brand has seized the lead in the field of luxury electric off-road in China’s new energy field and fought with EVs on the other side of the Pacific Ocean. This is the luck of the Chinese auto market and the luck of Chinese brands.

In the new era and new pattern, China needs a luxury electric off-road brand of its own. As a new force of Chinese luxury electric off-road brands in the world’s automotive landscape, the Warrior brand has created a splendid era belonging to China’s manufacturing industry, and will surely lead Chinese brands to continue to rise.

A brand new era

As the electrification surges forward, the off-road culture is also opening in blood and new life. And the new power of the off-road industry will usher in a new founder. In the name of the warrior, it officially kicked off. Create the oriental off-road culture, create a luxury electric off-road benchmark, create a super warrior in the sense of the new era, and open up a new blue ocean.

The core of today’s car market competition is a comprehensive game of soft and hard power such as technical system capabilities, product innovation capabilities, and trend insight and judgment. Based on the M TECH architecture, drawing inspiration from the "Oriental Lion Dance" and interpreting the "Hero Soul" design concept, the two concept cars of the Hero M-Terrain and M-Terrain S completed their world premiere.

The confidence of the warrior comes not only from the control of its own key core technologies, but also from the confidence in Chinese culture. The Warrior M-Terrain series combines the momentum, demeanor, majesty and technology of the Oriental Lion Awakening with original design to create a super warrior and pay tribute to the heroic heroes of the era.

The Warrior brand will be launched into the market from 2023, orderly creating unique luxury electric off-road products such as cutting-edge pioneers, heavy fortresses, and off-road light rides. These products, which carry the most advanced technology of the Warrior brand, have the confidence and strength to compete with the world’s auto giants.

The wheels of the era are rolling forward, and only those who can seize the opportunity can grasp the future market while competing for new products and new technological strength. "The wind is blowing and the clouds are flying. Weijia is returning to its hometown. Ande’s warriors guard the four sides!" Those pioneers of the era who aspire to the four sides finally find their place here.

The center of automobile manufacturing shifted from Europe to the United States at the turn of the 1900s. In the 1980s and 1990s, Japan and South Korea rose rapidly, but Europe rose again in the early 2000s. From safety innovations in Europe to mass production in the United States to lean manufacturing in Japan, each continent added its own distinctiveness in the process.

Ten years ago, China’s pioneers of the times chose to be their driving force. They pursued avant-garde, individuality, and the freshness of advanced technology. Ten years later, with technological change and social progress, pioneers of the times emerged in various fields. They aspire to a higher quality of life and pursue self-realization.

Without a doubt, long-distance crossing and off-road exploration have become the new favorites of the new generation of consumers, and electric off-road makes outdoor lifestyles richer and more diverse, while Warrior electric off-road can meet the various needs of users in more extreme off-road scenarios. The appearance of the Warrior brand has ended the limitations of the "traditional off-road era" and opened a new story of the luxury electric off-road era.

In the face of a new market segment, the company’s accurate market awareness, strong technical accumulation, heavy brand precipitation and institutional renewal have promoted the product confidence, technical confidence, brand confidence and value confidence of the Warrior brand. The connotation of off-road has changed because of the Warrior, opening a new chapter.

Ever since the birth of the automobile, changes have never stopped. In the great changes unseen in a century, the brave have chased after the light. Condensing the essence of the "14th Five-Year Plan" and representing a comprehensive exploration in the field of cutting-edge technology, the Warrior brand has led the development of China’s luxury electric off-road as a pioneer, providing users with a world-class oriental off-road experience.